It's been a while. Still making art almost everyday--creating, destroying and re-making again. Slow and steady...
I'm currently at work on some small/medium sculptures made of watercolor paper and foam core. Haven't figured out yet how they will be displayed-will the pedestals be part of the sculpture or separate beasts from the actual works? Remains to be seen. Been nice to just make work and not worry about deadlines so much.
I'm also working on some felt tip pen drawings and cut paper/collage-style drawings on paper; all are basically abstracted landscapes. But some are venturing on being completely abstract. Will post some here as soon as I get a couple of pictures of them.
On a different note, is anyone really going to care about this once Mr. Deitch is gone?
http://www.latimes.com/entertainment/arts/culture/la-et-cm-deitch-moca-20130725,0,278228.story
Sure, there's a lot of work that needs to be done at MOCA but that seems to have been the case for quite a while. So what else is new? During my stint at the museum on the hill, there were always troubles or issues with the "higher ups." Sigh. It just gets so, so tired after a while. Everyone seems to get in their own way-too many agendas. Thank God for the people who actually believe in the art they show, the art makers everywhere and the good art-things that continue to happen in and around Los Angeles. This good will continue too. With or without the head muckety-mucks to give their blessings. Really, who needs 'em anyway? Keep at it, artists. Just keep making what you gotta make and doing what you need to do to make your art happen.
Thursday, July 25, 2013
Thursday, December 27, 2012
Art installation at LAX
Fellow artist Leanne Lee and I have our installation Passage currently on display at the Tom Bradley International Terminal at the Los Angeles International Airport.
Here's the press release from the Los Angeles World Airports site:
Los Angeles World Airports (LAWA), in partnership with the City of Los Angeles Department of Cultural Affairs, announces a new installation by Los Angeles-based artists Sophia Allison and Leanne Lee at Los Angeles International Airport (LAX). The installation, titled Passage, is composed of coffee filters, which were used, dried, and sewn together, and delicate drawings on rice paper. Using these materials to create, deconstruct, and reconstruct speaks to the notion of process, change, and reinvention. The site-specific installation is on view in the art display case in the Customs Hall of the Tom Bradley International Terminal, on the Lower/Arrivals Level, for ticketed international passengers through March 2013.
http://stuckattheairport.com/2012/12/21/art-made-of-coffee-filters-at-lax-airport/
(Photos by Kelly Barrie, Panic Studio LA)
Here's the press release from the Los Angeles World Airports site:
Los Angeles World Airports (LAWA), in partnership with the City of Los Angeles Department of Cultural Affairs, announces a new installation by Los Angeles-based artists Sophia Allison and Leanne Lee at Los Angeles International Airport (LAX). The installation, titled Passage, is composed of coffee filters, which were used, dried, and sewn together, and delicate drawings on rice paper. Using these materials to create, deconstruct, and reconstruct speaks to the notion of process, change, and reinvention. The site-specific installation is on view in the art display case in the Customs Hall of the Tom Bradley International Terminal, on the Lower/Arrivals Level, for ticketed international passengers through March 2013.
Passage
references a ritualistic domestic action: making coffee. Water passes
through ground coffee and filters, staining the ghost image of the
process into the paper. Allison and Lee dried and ironed flat the used
filters, then stitched them into clusters reminiscent of floral and
vegetative landscapes. Adding to the juxtaposition of organic and
inorganic, of ritual and daily activity, the artists incorporated
cityscape drawings on rice paper which were stained with watercolor and
coffee. Informed by
traditional
Korean symbols and motifs, these drawings were reconfigured by cutting,
tearing, and sewing the images into the clusters of coffee filters. As
actual geographies, locations and landscapes shift and fluctuate –
physically, mentally, and metaphorically –the materials that comprise
this work are non-permanent and fragile. As a modular construct, Passage can be repositioned infinitely, becoming site-specific and speaking to the temporal nature of life.
http://stuckattheairport.com/2012/12/21/art-made-of-coffee-filters-at-lax-airport/
Sunday, November 18, 2012
Days of Our Lives
Currently, I am in a terrific show with 2 wonderful artist friends, Paul W. Evans and Kim Tucker, at artist run space WEEKEND. We are wrapping up the exhibition next Sunday, November 25. All three of us will be present to speak with visitors about the exhibition. And hey, there will be doughnuts and cookies, so stop on by! Here are the details:
DAYS OF OUR LIVES
November 2-25 2012
Weekend Space
4634 Hollywood Blvd.
Weekend Space
4634 Hollywood Blvd.
Los Angeles, CA 90027
Open Sat. and Sun: 11a.m.-6p.m.
Wednesday, August 8, 2012
I am very excited to announce my upcoming solo exhibition, Friend Among Strangers, opening at the end of this month at Brevard College! Please see below for details, and if you are in the area, I hope you can attend the reception.
![]() |
| Mountainscape3, acrylic and grit on watercolor paper, 2012 |
Friend
Among Strangers
Sophia
Allison
August
31– September 29, 2012
Opening
Reception: Friday, August 31, 5:30pm
Brevard
College
Art
Department
Spiers
Gallery
1
Brevard Drive
Brevard,
NC 28712
Gallery
hours: Mon. - Fri., 8:00a.m.-3:00p.m.
Brevard
College Art Department is proud to present a solo exhibition by North
Carolina native Sophia Allison. In Friend
Among Strangers
the
Los Angeles-based, multi-media artist offers an autobiography of sewn
landscapes, works on paper and sculpture which culminate into an
installation addressing ideas concerning the emotional connections to
one’s own past, the fragmentation of memories and the experiences
that meld it all together.
For
this exhibition the artist presents work directly connected to and
inspired by the organic surroundings of her childhood home in the
mountains of Western North Carolina.
In
her sewn pictorials, Allison places a printed image on fabric and
repetitively sews through the paper, forcing it into the cloth fibers
while simultaneously destroying the paper. Parts of the image are
recreated with thread on the opposite side of the material. The
effect is two-fold: on one side, the landscape is clearly
articulated; on the other, the paper image is obliterated, leaving
loose threads and uneven textures. The image is simultaneously
destroyed and built up; it is recognized as a snapshot of a specific
location and at the same time it becomes fragmented and abstracted.
Allison's
room-size installation contains a small house sculpture made of
cardboard and recycled materials. The house references a gatehouse
on her family's property that has fallen into disrepair. This
sculpture is situated within a larger installation of thousands of
hand cut paper floral pieces that reference local landscape as well
as the landscape from her Los Angeles neighborhood.
Her
recent works on paper are collaged abstracted landscapes. The forms
within these pieces undulate and flow, creating movement in the
images. The works are created from Allison's memory of the local
physical terrain.
Friend
Among Strangers situates the viewer directly within the
enveloping environment of the creative mind. The use of carefully
selected, tactile material and the physical consequences of the
artist’s solitary intentions transform commonplace and discarded
detritus into re-born objects of contemplation, recollection and
redemption.
For
more information, please contact Diane Pomphrey, at 828.884.8188 or
email at pomphrdj.@brevard.edu. Visit www.brevard.edu/art
or www.sophiaallison.com
Monday, June 18, 2012
Saturday, April 28, 2012
ShoeboxLA at Craft and Folk Art Museum-TOMORROW
I am so excited that Paul W. Evan's and my space, ShoeboxLA will be participating in a panel discussion tomorrow, Sunday, April 29, at the Craft and Folk Art Museum. Hope you can attend! Here's the info:
Unexpected Art Encounters Panel Discussion
Sunday, April 29, 3:00p.m.
Free
A Folk Art Everywhere Happening
Learn about several non-traditional art exhibition spaces in Los Angeles. Short presentations will be given covering Playful artist Máximo González¹s 7-year old Changarrito, alternative exhibition projects ShoeBox LA and Mastodon Mesa, and CAFAM¹s Folk Art Everywhere program.
RSVP suggested to rsvp@cafam.org
Unexpected Art Encounters Panel Discussion
Sunday, April 29, 3:00p.m.
Free
A Folk Art Everywhere Happening
Learn about several non-traditional art exhibition spaces in Los Angeles. Short presentations will be given covering Playful artist Máximo González¹s 7-year old Changarrito, alternative exhibition projects ShoeBox LA and Mastodon Mesa, and CAFAM¹s Folk Art Everywhere program.
RSVP suggested to rsvp@cafam.org
Friday, March 23, 2012
Art for $25, number 61
sewn paper, watercolor and consumer packaging mounted on lollipop sticks and foam core, approx. 51/2" x 8"
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